Skip to main content

Their vanity is greater than their misery

“‘You’re a gentleman, Chevalley, and I consider it a privilege to have met you; you are right in all you say; your only mistake was saying “the Sicilians must want to improve.” I’ll tell you a personal anecdote. Two or three days before Garibaldi entered Palermo I was introduced to some British naval officers from one of the warships then in harbour to keep an eye on things. They had heard, I don’t know how, that I own a house down on the shore facing the sea, with a terrace on its roof from which can be seen the whole circle of hills around the city; they asked to visit this house of mine and look at the landscape where Garibaldini were said to be operating, as they could get no clear idea from their ships. In fact Garibaldi was already at Gibilrossa. They came to my house, I accompanied them up on to the roof; they were simple youths in spite of their reddish whiskers. They were ecstatic about the view, the vehemence of the light; they confessed, though, that they had been horrified at the squalor, decay, filth of the streets around. I didn’t explain to them that one thing was derived from the other, as I have tried to with you. Then one of them asked me what those Italian volunteers were really coming to do in Sicily. “They are coming to teach us good manners!” I replied in English. “But they won’t succeed, because we are gods.”

‘I don’t think they understood, but they laughed and went off.That is my answer to you too, my dear Chevalley; the Sicilians never want to improve for the simple reason that they think themselves perfect; their vanity is stronger than their misery; every invasion by outsiders, whether so by origin or, if Sicilian, by independence of spirit, upsets their illusion of achieved perfection, risks disturbing their satisfied waiting for nothing; having been trampled on by a dozen different peoples, they think they have an imperial past which gives them a right to a grand funeral.

‘Do you really think, Chevalley, that you are the first who has hoped to canalise Sicily into the flow of universal history? I wonder how many Moslem Imams, how many of King Roger’s knights, how many Swabian scribes, how many Angevin barons, how many jurists of the Most Catholic King have conceived the same fine folly; and how many Spanish viceroys too, how many of Charles III’s reforming functionaries! And who knows now what happened to them all! Sicily wanted to sleep in spite of their invocations; for why should she listen to them if she herself is rich, if she’s wise, if she’s civilized, if she’s honest, if she’s admired and envied by all, if, in a word, she is perfect?”

~ F. Corbera (Don Fabrizio) in Giuseppe Tomasi di Lampedusa’s Il Gattopardo

Comments

Popular posts from this blog

And the cars has a long century history

For a long time, the car was the ideal way to communicate wealth to the outside world. There is no doubt that this phenomenon has always existed, throughout the ages and in every countries: the car has a long history of use as a means of self-projection, a completely public and symbolic object with which we become one as we drive. That as a child I always thought to be a car of choice for the distinguished man. The German-American art historian Erwin Panofsky once examined the famous Rolls-Royce radiator grille and noted its similarities to antique temples. Even John Lennon fell victim to its aura and bought a Rolls-Royce Phantom V Touring in 1966 – only to have it painted almost immediately to look like a circus wagon in bright yellow with flowers and scrolls. An ironic gesture with which Lennon humorously took the classic status symbol to absurdity. Representatives of a younger affluent generation in particular are increasingly to excellent racing or invest on the cars expensive i...

TAKE IVY by Teruyoshi Hayashida

Take Ivy is a fashion photography book which documents the attire of Ivy League students. The New York Times described it as “a treasure of fashion insiders”. Take Ivy has been the Ivy League bible for Japanese baby boomers, among whom the Ivy League look is very popular, though original copies are very rare in the West, garnering auction prices as high as $2000. Take Ivy was authored by four Japanese sartorial style enthusiasts and is a collection of candid photographs shot on the campuses of America’s elite Ivy League universities. The series focuses on college-aged men and their clothes, capturing the unique fashion of the student population of that time. Whether getting a meal on campus, lounging in the quad, riding bikes, studying in the library, in class, or at the boathouse, the subjects of this photographic compendium are impeccably and distinctively dressed in some of the finest American-made garments of the time. Shosuke Ishizu, the director...

Gentlemen’s clubs savour quiet success

A recent visitor to White’s, the venerable gentlemen’s club housed in 18th century splendour in London’s St James’s, walked up to the bar to find it occupied by three dukes. “It’s the one place in town where they feel totally at home,” he said. Such encounters are custom-made to reinforce the stereotype of a traditional gentlemen’s club: a place of fusty exclusivity, where elderly gents snooze in leather armchairs beside marble fireplaces, disturbed only by the occasional retainer. Ranged against modern London’s raucous pleasures, including a new wave of tie-free, wifi-enabled rivals, these relics of 19th century culture would seem doomed to slow decline. Yet not only are they surviving but many are thriving, with membership and usage growing. “Standards have risen enormously since the 1980s,” said Rupert Lendrum, club secretary at Buck’s in Mayfair. “There’s been a significant shift to professionally run clubs and finances are far healthier.” Buck’s was dreamt up by cavalry offic...